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Bachelard, G., 1964, The Poetics Of Space, Orion Press, California, pp. 3-89.

 

Blunt, A, & Dowling, R 2006, Home, Taylor & Francis Group, Abingdon, Oxon.

 

Bassil-Morozow, H 2018, Jungian Theory for Storytellers : A Toolkit, Taylor & Francis Group, Milton.

 

Berger, J., 2006. Understanding A Photograph. 1st ed. [ebook] Scanned by OCRed, pp.1-3. 

 

 

Condorelli, C, 2014, In support: a theoretical and practical investigation into forms of display, PhD Thesis, Goldsmiths, University of London, London, <http://research.gold.ac.uk/11031/>

 

 

Crowley, J., 1999. The Sensibility of Comfort. The American Historical Review, vol. 104, no. 3, pp. 749-782.

 

 

Damiani, E., n.d. Macelo 1. Marble, Glass, Collage. 2012. [image] Available at: <https://www.elenadamiani.com/marbles.html> [Accessed 16 March 2020].

 

 

Davila, J 2014,  Look Mickey, sculpture: ratchet straps, marble slabs, exhibited at: Lightness of Weight Exhibition, Sean Kelly Gallery, October 24 – December 6, 2014.

 

 

Deleuze, G., Tomlinson, H. & Habberjam, B., 1996. Cinema 1: The Movement Image, University of Minnesota Press, London pp. 24-29

 

 

Fischli, P. & Weiss, D., 1984. The First Blush of Morning, Chromogenic print, 30 × 24 cm, Guggenheim Museum, New York.

 

 

Goldberger, P., 2009. Challenge and Comfort,  The Kenyon Review, Vol. 31, no.4, pp. 21–35.

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Harper, B, & Price, H (eds) 2018, Domestic Imaginaries : Navigating the Home in Global Literary and Visual Cultures, Palgrave Macmillan US, Cham.

 

 

Klenyanszki, C., 2016-2017, Pillars Of Home, series of sculptures: household objects, Mothers in Arts, Netherlands.

 

 

Kwade, A 2009, Andere Bedingung (Aggregatzustand 4), steel, copper, glass, mirror, iron, mop stick, Boros Collection, Berlin.

 

 

Mahn, I., 2017, Balancierender Stuhl (Balancing Chair), sculpture: plaster, metal, exhibited at: Joint Gallery Opening Flingern, Kadel Willborn, January 19 - March 3 2018.

 

 

Maldonado, T. & Cullars, J., The Idea of Comfort. Design Issues, vol. 8, no. 1, 1991, pp. 35–43., doi:10.2307/1511452. [Accessed 14 2020].

 

 

Mousse Magazine. 2020. Thea Djordjadze “Our Full” At Malmö Konsthall. [online] Available at: <http://moussemagazine.it/thea-djordjadze-malmo/> [Accessed 13 March 2020].

 

 

Munroe, A., Ammirati, D., Mason, K. & Akira, T., 2011. Lee Ufan: Marking Infinity, Guggenheim Museum, New York, pp.113-118.

 

 

Simões, L., 2017, Abismo 63, sculpture: concrete, paper, and brass, exhibited at: White Lies, Lora Reynolds Gallery, April 08 – May 27, 2017.

 

 

Sontag, S., 1999. On Photography, Sage Publications, London, pp.80-94.

 

 

Whiteread, R 2001, Untitled, Stairs, sculpture: plaster, fibreglass and wood, 3750 × 2200 × 5800 mm, Tate Gallery, London.

 

 

Wigley, M., 1993. The Architecture Of Deconstruction. The MIT Press, Cambridge, pp 3-50.

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